AXONOMETRIC SECTION ACROSS A TYPICAL WILHELMINE TENEMENT IN BERLIN

HEIKO RÖSSGER

SYSTEMATIC AXONOMETRIC SECTION ACROSS A TYPICAL WILHELMINE TENEMENT IN BERLIN/ AXONOMETRISCHER SCHNITT DURCH EINE TYPISCHE WILHELMINISCHE MIETSKASERNE IN BERLIN, 1984

The Tourist Trap, Fez Medina 2011 _ Sam Westbrook

The Labyrinth   

The labyrinths a retail zone were tourist can come to buy locally produced goods, crafts and art work. They will be guided through the ground floor plan of the traditional courtyard houses that make up the existing cluster of buildings, re-configured the new transitional route will move the user from one Courtyard to the other passing by boutique shops and market stools, were they will be given the opportunity to purchase goods, whilst admiring the traditional courtyards and interiors. 

Movement through the Labyrinth follows a specific path, starting at one point and culminating at another. The internal layout of shops and stalls is organized around the nature of the products sold, clustering those similar together.

Artisans' Quarter_Joanna Hiew

Place Lalla Yeddouna is a public square located in the centre of the Medina. Rather than a social meeting place, this square has lost its purpose and is currently a wide passageway leading to the Medina. This project aims to revitalize Place Lalla Yeddouna through reconfiguring the public square, rebuilding the artisans’ quarter and reconnecting the public users to the Fes River.

The Artisans’ Quarter is a new artisan hub consisting of 3 main components namely, the: working and living spaces for the artisans, an exhibition and learning centre for visitors as well as a café for both local residents and tourists. Inspired by courtyard forms and narrow alleyways within the Medina, this proposal is conceived as a single building comprising of these elements. The building is accessed via 2 small openings which lead to the respective courtyards of either the artisans’ workshops or the exhibition centre. These courtyards allow the flow of natural daylight and ventilation into the building and are linked by a walkway which is exposed to the sky.

By removing the derelict building on the North of the site, an open green space with a seating area can be created, giving focus to the mulberry tree and Lalla Yeddouna Fountain. Further landscaping is created through crawling plants on roof terraces which also provide ample shading.

It is hoped that the Artisans’ Quarter will act as an urban catalyst and contribute to the improvement of the relationship between the local community and foreign visitors who are keen to learn more about the local culture and unique brass craftsmanship that Fes has been so well known for.

Artefacts of Andalus, Rue Guernis, Fes, Morocco_Benjamin Hale

It would sound strange in the 1970s if the term ‘post-impact conservation’ was mentioned, as far as conservation is concerned, this was when the median and the city of Fez as a whole saw it's greatest expansion with the influx of local immigrants into the medina. Broadly speaking, conservation signifies archeological preservation of valuable objects that may likely become extinct. Today, it goes beyond a mere celebration of an historical icon. The pressure of human needs in urban heritage sites has widened the scope of conservation in order to go in tandem with social and economic development. Conservationists came to realise that their task of scrutinising stones and cleaning surfaces is negatively affected by a dearth of funding. The pressing need of the people whose heritage is a living and not a static legacy is consequently dashed.